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The Omani Craft Heritage
Documentation Project
Rich
and diverse, the traditional craft industries of Oman are among the most
important cultural survivals in the Arabian Peninsula. Their origins can
be traced back to man's earliest activities in the Gulf and Mesopotamia,
and their subsequent development directly reflects both Oman's distinguished
history as a trading nation, and the innate resourcefulness of its people.
Across the country, and for many centuries, Omanis have worked with the
raw materials available within their local environment and those obtained
through trade, to create objects of both functional utility and exquisite
artistry.
Until
recently, however, there had been little research into this fascinating
subject. It was also apparent that the rapid development and modernisation
of the Sultanate would pose real challenges to the survival of the country's
craft industries. The Omani Craft Heritage Documentation Project was therefore
initiated in 1996 by His Highness Seyyid Shihab bin Tariq Al Said, with
the aim of assessing and documenting the different types of crafts in
all parts of the country. For more than three years, researchers and authors
Neil Richardson and Marcia Dorr travelled throughout the country interviewing
hundreds of individual craftspeople, from the jirz-makers of
Musandam to the potters of Dhofar, and recording their craft traditions.
Research methodology included the documentation and photography of raw
materials, tools and equipment, production techniques, the products made
and the context within which these products are made and used.
The outputs of the Project are twofold. First there is an archive of information
and images pertaining to Oman's craft traditions. This archive is a valuable
resource for scholars, and for the country as a whole, for it is only
by means of recorded knowledge that educators can sensitise the next generation
to the importance of protecting cultural heritage, and it is only by this
means that responsible, effective preservation measures can be implemented.
The second output is The Craft Heritage of Oman, a two-volume
publication that presents Oman's craft traditions to an international
audience for the first time. The aim of the publication is to establish
a global identity for Oman's crafts industry, thereby elevating the status
of Omani artisans and contributing to the perpetuation and promotion of
Oman's heritage and culture.
The
Craft Heritage of Oman is foremost a tribute to Oman's artisans and
the rich traditions they embody. The authors consider the origins and
development of the country's craft industries, including the relationship
between craft usage and lifestyle. They provide a comprehensive record,
region by region, of the design and production techniques of the diverse
crafts to be found across the Sultanate. A wide-ranging artefact catalogue
combines with a concluding review on the changing role of craft industries
in a rapidly modernising society, to make this the most significant publication
on the traditional craft heritage of south-east Arabia.
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